Team / Post-production
The edit is not the problem. The problem is a comment that does not say at which second, a file that will not turn up, and a version nobody is sure about.
LITE plan free forever, with 250 GB and unlimited external collaborators.
Updated: September 2026
This page is for editors, colourists, sound engineers and motion artists, inside a post house or an in-house team. The time that gets lost is not on the timeline: it is in interpreting vague feedback, in hunting for material that should be to hand, and in redoing a version because nobody knew which one was approved. Play has two pieces that work separately or together: Play Platform, which goes after those three things; and PLAY /Services, as extra capacity when the suite is full. You can start free with the platform alone.
Each of these costs a whole round of work.
That the pacing at the start does not work, or that the colour looks odd. With no specific second, the editor guesses, delivers, and finds out that was not it.
Comments anchored to the exact second, on the specific version.
Client, creative and brand comment separately. Somebody has to decide which wins, and that somebody is usually whoever is editing.
Every review in the same thread, visible to each other, on the same piece.
The vector logo is missing, or the approved music, or the rushes from the second day. Every hunt is half an hour and a message to three people.
All the project's material in one library, tagged and searchable.
Four almost identical exports circulate. Someone tweaks the wrong one and an afternoon's work is lost.
Ordered versions with the approved one identified and its history.
Play is a Production-Tech company: software and a production team in the same house. What it brings here is order around the edit, not inside it.
You edit in your usual tools and use Play to receive clear feedback, keep the material to hand and control versions.
Free on the LITE plan
See Play PlatformYou commission the part that does not fit in the suite: edit, colour, sound or motion, as extra capacity.
Per project, on a transparent rate card
See PLAY /ServicesThe platform is your delivery system and our team joins inside it when the calendar bites.
Platform included, production per project
Talk to the teamThe three ways are doors into the same place, and you can move between them without migrating anything. Most teams start at way 1 or way 2 and end up at way 3 once the content volume grows.
The situations that cost the most iterations, and what changes in each.
| Situation | What usually happens | How it ends up |
|---|---|---|
| First review | An email with ten notes and no time references. | Ten comments anchored to the second, on the piece itself. |
| Cross-reviews | Three parallel threads with standards that contradict each other. | One thread where everyone sees what the others have said. |
| Hunting for material | Messages to production asking for rushes or a logo. | A project library, tagged and searchable by what it shows. |
| Version control | Exports with improvised names across several folders. | Ordered versions, with the approved one marked and its history. |
| Delivery | Large transfers and emails with the link of the day. | Delivery from the library, with links and no surprise expiries. |
| Archive | Drives that fill up and projects nobody opens again. | Material tagged and findable months later. |
What a post team actually uses.
Every comment sits on the exact frame, with author and version. It is what stops the iteration lost to misreading a note.
The full history of cuts, with the good version identified, so nobody tweaks the wrong one.
Rushes, graphics, music and logos in one place, AI-tagged and searchable without asking anyone.
The client comments without an account and without a transfer, through links that expire when they should.
Which cut goes where and when, in a view that heads off the last-minute questions.
The client, creative and freelancers join without taking a licence, on every plan including the free one.
Edit, colour, sound, motion and visual effects when the suite is full and the deadline will not move.
To scale variants of one piece: languages, durations and formats per channel, without remaking the edit.
More than 1,200 vetted professionals, editors, colourists and motion artists among them.
A fixed quote per project, to decide whether outsourcing a particular part is worth it.
The flow is the same whether you produce or we do. The only thing that changes is who carries out step 3.
You open the project and describe the need. KAMI AI helps turn it into a structured brief, with formats, markets and dates, so that everyone is working from the same thing.
This is where you pick a way: your team produces it, your agency does, or PLAY /Services does with local talent. If you commission it from us, you get a fixed quote on a transparent rate card before anything starts.
Shoot, edit and versions in the same project. Approvals happen through videofeedback and public links, with no email chains. If PLAY produces, your Account Manager oversees every stage.
The finished piece and the raw footage stay in your library, tagged and ready to reuse on the next campaign.
Recurring shoots across multiple European markets under one coordination system: Barcelona, Rotterdam, Manchester, Oslo, Warsaw, Dublin, Madrid, Istanbul, Lyon and Stockholm, among others.
A centralised system for creating content quickly and consistently across multiple formats, channels and locations in Spain, with a single point of contact adapting each message to its audience and platform.
The full case studies, with the detail of each production, are on the services page. Download the full case studies.
The platform is paid per workspace, not per person, so bringing the client and the freelancers in does not change the invoice.
0 €
149 €/month /workspace
Custom
Access to Play Platform is included at no cost with every PLAY video production service. In other words: you can come in through the platform door and pay only for the software, or come in through the production door and take the software with it.
Annual billing works out at 10 months. Extra storage at 29 €/TB per month. In post it is the storage that decides: rushes and versions fill LITE's 250 GB in a couple of projects, so PRO's terabyte arrives early, expandable at 29 € per TB per month. See the full plan comparison.
No. You edit wherever you always have; Play orders what sits around it: the feedback, the versions, the material and the deliveries.
Not natively yet. Integrations, the API and MCP support are in development, so today material is uploaded to and downloaded from the workspace. If your workflow depends on a panel inside the editor, it is worth knowing up front.
With comments anchored to the second and to the version. The client marks the exact frame, so there is no more interpreting what they meant by the pacing not working.
The version history marks which one received sign-off, with author and date. It is what stops you tweaking the wrong cut and losing an afternoon.
No. Review links let them comment without an account, and they expire when they should. And if you would rather bring them into the workspace, external collaborators are unlimited.
250 GB on the free plan and 1 TB on PRO, with additional storage at 29 € per TB per month. In post it is worth assuming a couple of projects will fill the free plan.
Open a free LITE workspace and run the next client review through it. The change shows on the first round of comments.
How the library, the AI tagging and the review links work
The comparison with the benchmark review software
The previous stage, with its own bottlenecks
Where AI genuinely enters the flow, and where it does not
Get started
Open your workspace free and run the next client review through it. The change shows on the first round of comments.
No card required. Unlimited external collaborators on the free plan, and the platform included with every production service.